Interrogates

www.faceculture.tv

Completely inane, ambiguous questions from an interviewer receive lukewarm to openly hostile responses from a host of top musicians = internet gold!

I particularly like this interview with Ane Brun, one of my musical heroes. She looks so dismayed that she's being asked these questions! And when the interviewer opens the curtains behind her halfway through a question, she looks like she's going to walk out. Then he picks her up on a throwaway comment and interrogates her about it until she looks visibly uncomfortable.

Also a great moment when Laura Marling takes the wrong meaning of the interviewer's phrase "big albums". She gives an eloquent answer about albums that were big in sales and gives an insight into her influences – he corrects her and talks about the size of LP covers nowadays.

Heavies

I'm organising another acoustic gig in my studio in December. This time my friend Anjuli of Crack-a-Jack Crow is playing. Looking forward to that already. Now I just need to find someone else to play. Hopefully my friend, Sarah, who I met on the songwriting class, will play a few songs.

I met up with Sarah on Sunday to practice playing bass on some of her songs. Good fun! I always love playing music with other people. She's got some great songs too. And she did an amazing melodica solo on my song, Grace is Just Her Middle Name.

On Thursday my mate Bezz, who I've known since we were 12, is coming down to Brighton and we're going to see the Brand New Heavies. It's been one of my ambitions to see the BNH with N'Dea Davenport. She's gorgeous and really sets those songs on fire. Bezz got me into the BNH which led me to get into funk which led me to be a funk DJ in Swansea briefly so it's very apt that I'm going with him.

Covered

Cover update: my girlfriend bought a copy of The Secret Diary of Adrian Mole on VHS from a charity shop. It's a TV dramatisation of the book the was done in the Eighties. We out it on and I remembered the theme tune instantly. But I never realised what a great song it is! It's got a real bitter sweet feel to it.

I looked it up and realised it is by Ian Dury and that a full song has been made of it. Perfect cover material I think. I've found the chords online and had a quick play through last night and it sounds quite good done in my plinky-plonky guitar style.

The sequel, The Growing Pains of Adrian Mole, has got a different verse so I might use that one in my version too.

Cover

I'm chuffed with my new song. I keep going back on to MySpace to listen to it. I think it's very me.

I've bought myself a rhyming dictionary as I noticed when I was writing that song that I was getting stuck when thinking of rhyming words. I'm going to try using the rhyming dictionary next time to see if it helps.

But now I'm thinking about cover songs. I've wanted to cover a song for a while. I like it when a musician has just one cover song that they do really well. I heard my old band The Great Indoors again the other week and they did a version of The Rainbow Connection by Kermit the Frog. It was beautiful! I'd always thought that was a great song and Anjuli really did it justice. I didn't realise it has already been covered by quite a few people though. I think that's the main problem... finding a song that no-one else has covered. Plus you have to really like the song and have some sort of connection with it.

Anyway, I've been listening to Michael Hurley songs and I think they are ripe for the covering. I love The Tea Song as I think it's amazing to write a seven minute song about a cup of tea. My favourite line is "I don't care if she's left me/Just as long as the cupboard's full of tea". Amazing in it's simplicity. But, you know... that is what you do when someone leaves you or when you go through some big change in your life, drink endless cups of tea. But unfortunately I can't do those long notes and yodeling that he does in that song.

On the same album is Fat Mama, another beautiful song, which seems to have the same chords as a little chord sequence I've been playing with lately. So it'll either be that or The Werewolf Song - but Cat Power's done a version of that damn it!

Finally

I've finally written another song. It's only taken me six months. Listen to it on MySpace. It's called All These Things.

It's about my girlfriend. My girlfriend has moaned at me in the past for not having written a song about her. I said that my songs were all really miserable so she should take it as a compliment that I haven't written a song about her.

Anyway, I have finally written a song about her and hopefully it's not too miserable. She's a bit like a magpie so I wrote about that:

All These Things

Turning up stones to find her fare
Branches will bough in the air
Sparkles of gold
In all that she holds
Making a nest out of bright-coloured ribbon

Buttons and bones make stately homes
Red cotton reels catch her eye
Leaves that turn brown
Come fluttering down when she's
Making a nest out of bright-coloured ribbon
Making a nest out of bright-coloured ribbon

Black and white need colour
Take flight over
All these things

Porcelain trinkets make her sing
Carries them up on her wing
Odd-shaped and old
Bring treasure untold
Making a nest out of bright-coloured ribbon
Making a nest out of bright-coloured ribbon

Black and white need colour
Take flight over
All these things
All these things
All these things

Strangers

Did another open mic at the Brunswick last night. Good fun! I was really not sure if I wanted to sing my own songs as I felt tired and unsociable and didn't really want a room full of strangers staring at me. I was just going to play guitar with Annie instead. But there were a few other acts that were about the same standard as me so I thought I would give it a go and I enjoyed it in the end. The whole worrying-about-a-room full-of-strangers-staring-at-me kind of went away as soon as I got on stage because, with the lights shining right at you, you can't see anyone anyway.

Annie asked the compere if it was bad etiquette if I went on again to play guitar with her and apparently it wasn't, so I did. That was good fun too. After our second song I looked up and most of the audience had left! The few that remained asked for another song and we obliged (with 'Another Song' - Annie's favourite on-stage joke!).

Someone came up afterwards and complimented me on Grace is Just Her Middle Name, saying she noticed the change in tense. Nice! Glad that someone's listening.

Me and Annie are talking about getting a little songwriting group together with the idea of meeting up every couple of weeks and sharing songs that we've come up with. But now I've started my scriptwriting class and that's going to take up a lot of time. Hopefully I'll have a bit of time left for songwriting.

Group

Oh dear! Songwriting's dropped off a bit. I feel like I'm on the verge of writing a new song, but I've not put aside time to sit down and do it. I haven't written anything since my songwriting class finished in March. Not having that deadline on a Friday night to write something for has meant I just haven't found the motivation. Booo!

Anyway, I met up with Annie again last week to go through some of her songs. It's been a while. Really good to be playing music with her again and she came up with an idea to get a little songwriting group together. We could all meet up every couple of weeks and present a song to each other. And then we could set ourselves new songwriting briefs. If we can get this together it would be fanastic! A perfect way of replacing (expensive) songwriting classes and a great motivation for writing new songs.

Slugs

I'm woefully out of practice with playing my songs. My girlfriend was out last night so I had a run-through of my songs. It was such a disappointment! I've had Fleet Foxes songs going round in my head lately and I think when I imagined being on stage that's the sound that came out. But I'm nowhere near that standard. I mean, I never will be, but I'm sure I was better than this!

It's made me realise that I need to keep up the practice regularly. It's like my garden: if you leave it too long the slugs get it.

Fretless

I got together with Sarah who I met on my songwriting class on Saturday to do some music. We've been meaning to have a musical get together for ages, since the songwriting class finished in fact. Now Sarah's totally inspired by Glastonbury to get going with the music. Sarah, incidentally, used to be lead singer in Headmix. Anyway, she's got some great songs and I really like her singing voice and I'm looking forward to doing more music with her.

I think my electric bass will suit some of her songs so it'll be great to get that out again. My fretless acoustic bass has annoyed me ever since I bought it. It's great to have that slightly-double-bass sound and to be able to slide up and down. But it's cheap and rattles and goes out of tune and it's hard to get the right note and it's got a cheap-looking, holographic effect ring round the soundhole. Or maybe I'm blaming my tools as the person who recommended it plays one to great effect in The Bohemia Ukulele Band.

So I dug out my electric bass yesterday and it's been so long since I played it it had actually gone mouldy! The strap was covered in white spores. Anyway, I just need to take my bass amp back home (it's still here at my studio after the studio gig in May) and I'm away.

In other news: I went to the Willkommen Collective's mini-festival in Stanmer House last night. Fantastic! Such a great venue, out in the beautiful grounds of Stanmer Park. Well done! Best of the night was Pete Roe.

Drone

My latest obsession is for the first song on the Wickerman Soundtrack. A little hunt around the internet tells me it's called The Highland Widow's Lament sung by Leslie Mackie. Anyway, it's composed as a drone. I've always thought that drone songs are boring but this one is truly beautiful. It's also memorable, which again, I didn't think would be possible with a drone note running right through the song. From what I can hear it's just on one chord. Amazing!

I usually spend a long time working on intricate chord-changes as I think that's what gives my songs their interest. But now I'd like to set myself the task of writing a drone. I know a bagpipe player too who would be great to collaborate with.

As it's on one chord the song could also be sung acapella, something else I've wanted to try.

I just have to write the damn thing now!

Compare

Another open mic at the Brunswick last night. Not nearly as enjoyable as playing at my studio gig. There's just something about plugging in to an amp; it makes it stressful; more like a chore than an enjoyable experience. And it's really uncomfortable because you have to keep your head still to sing into the mic. I fluffed my lines and I could hear my voice going out of tune.

I had the usual out-of-body experience on stage. This time it was like dreaming about being on stage. It felt like I was in this room completely by myself, singing to nobody.

Interestingly, I didn't get nervous until I heard the people who were playing before me. It was then that I realised that I'm not as good as I am in my head. In my head I'm really quite good. But I don't often go out so I don't get the chance to compare myself to other musicians so there's only my past performances to compare myself against. And compared to me, I'm quite good!

Instrumentation

The next stage in recording my mini-album is to add extra instrumentation on to the songs that need it. I want to keep it all quite home-grown and a bit wonky sounding. On the weekend I bought a beauty of an instrument for this purpose. It's a little, blue, portable glockenspiel.

I've come up with a little melody to go over the chorus of 'Grace is Just Her Middle Name'. It matches the theme of the song perfectly as it's got that kiddy, girly, delicate, toy-like sound.

But I just don't know what to do with the other songs. I imagine orchestras on some of the songs but unfortunately I don't know any orchestras.

The main problem is that I just don't know music well enough to know what to put on there. It's all very well saying I would want an orchestra on a song, but what notes would they play?!

Ah well, I suppose it'll just take a bit of time to come up with the right instrumentations.

Words

I was just looking at the words I've used as titles for these blog entries...

Words, Roots, Song, Relief, Hastings, Change, Before, Stormy, Well, I've, Another, Interference, Worthy, Cock-ups, Hate, Dive, Job, Scrabble, Low-key, Ghosts, Eve, Jumping, Two, Hooks, List, Week, Toy, Appreciation, Stadium, USP, Honest, Extraordinarily, Real, Booming, Caravan, Arigato, Why

...and it's given me an idea to try and write a song using some of these words. I knew there was a reason for keeping titles to one word. Maybe I should cut them down a bit first though.

Or I could use them together:

Word roots, Song relief, Hastings change, Before stormy, Well I've another interference, Worthy cock-ups, Hate dive, Job scrabble, Low-key ghosts, Eve jumping, Two hooks, List week, Toy appreciation, Stadium USP, Honest Extraordinarily, Real booming, Caravan arrigato, Why?

Roots

Funking hell! Just discovered Sharon Jones and The Dap Kings. The super-hot weather we've been having lately has been annoying me. But as I drove home from work in the usual rush hour traffic last night, a Sharon Jones track came on and everything was alright for 3 minutes.

This video isn't the song I was listening to but it makes me want to get back to my roots and try and write a funk song.



Did I tell you I used to be a funk DJ? I played at the Yum Yum club in Swansea when I was at University there. It was great! It used to be free to get in and you got Big Issue sellers in there. One guy would play reggae and dub to start off with, then I would play funk then someone else would play more latin jazz style funk. It was the highlight of mine and my housemates two weeks. I met my first girlfriend there too when she drunkenly asked me to play another record.

I've loved funk ever since my mate Bezz got me into The Brand New Heavies in the nineties. Bezz lent me a load of Stax records and I heard all the originals of beats I'd heard sampled on hip hop records. I realised that the bits of hip hop records that I liked the most were the beats and grooves. Listening to the original funk records was like heaven: pure beats and groove.

I know you probably have to be more of a jazz musician to be able to write a funk song, and I don't want to stop writing melancholic folky stuff, but I'd love to give it a try.

Song

Singing and songwriting are on hold at the moment while I move house. But I'm still constantly thinking about it...

I went to an Ane Brun gig that was part of the Great Escape Festival in Brighton last weekend. She was amazing; like the last time I saw her at the Duke of Yorks in last year's Great Escape. And also like the last time I saw her I had to sit through two fucking awful bands before she came on.

It comes back to me over and over again that in music, it's all about the song. It doesn't matter if you've got an amazing voice, or if you've got virtuoso musicians around you, or a band with cool guitar sounds, or a fashionable 'name' singing with you. You can have all these things and more but if the song's shit it's always going to sound shit.

I'm also noticing how musicians present their songs. It just seems slightly arrogant when people don't introduce their songs; when they don't even say a word and try to look all gloomy. Ane Brun was warm with the audience and humbly introduced her songs and you instantly liked her.

But, more than anything, her songs are just brilliant.